One of the highlights of my job in Letran Bataan's Center for Public Affairs & Media Development is the production of our Christmas music videos.
It is in this type of project I work with a team driven to come up with a video which will make Christmas time more special for the community.
The purpose behind it is the belief that works of art can move people to action, sort of like an inspiration for them to tap into the selflessness in themselves...
We thought we, as a nation, needed this 'selflessness' more than ever.
This is the story of how Pangako ng Pasko came about.
THE SONG
The lyrics to this year's song was written by Arli Atienza, a 3rd year Education student. I asked my colleague and friend Marlon Holgado to approach him, as Arli was a student of his, with the concept of Christmas promises. (Arli actually submitted song lyrics to me before during the KantArriba songwriting competition and was impressed by his style. Therefore I thought, 'Why not make him the writer for this year's song?')
He submitted the lyrics to me the next day in a yellow sheet of paper, handwritten. This was early October.
I was impressed with the words he came up with. With just a little tweaking and additional lines here and there, I put the melody line with Arli's lyrics, working on nights after office hours with the keyboard in my room at my house. The melodies were composed separately for the songs different parts as shown in the recordings I put on my iPhone (so I won't forget the tunes.) Look at how on different days the song came about.
The recording process was one of the longest I've ever done because there were many ideas in my head on how the song should sound. The song's instruments were recorded in my studio.
The first demo which was recorded by Carmella Servera (one of the Letran Bataan All-stars singers) and faculty member Jayson Viray, was quite a slow version of the song.
I had to acknowledge Carmella for helping me improve the melody lines to make it more 'pop'-sounding. (Side note: Her demo vocals for the bridge, "Lumbay ay para bang napawi..." were the ones used in the final mix of the song because everyone just loved that take when they heard the demo. By everyone, I meant all my friends and colleagues who previewed the track.)
I remember playing the demo to some Communication students who would be working on the video with us. I think I remember them saying it was "OK". That wasn't the response I wanted especially coming from them. I got a bit paranoid thinking that the song wasn't good.
Then I went back to the studio to do the final arrangement for the song which will be the version used by the students and the one which will be released.
This took about a week and a weekend because I wasn't happy with the mix I was coming up with. One version sounded so 90's, while the other sounded just terrible. Our song had to be "very good" and not just "OK"!
It was a good thing that it was just October then. I had plently of time.
Then I decided, the rhythm should be patterned to "Ang Awit Ko (Ngayong Pasko)", our first Christmas song back in 2011. Everyone liked that touch. I also put in a lot of string and horn sections reminiscent of "Star ng Pasko" of ABS-CBN.
So from there, the final backing track of the song emerged. It was still melancholy, but the beat was strong and solid enough for young adult listeners to embrace. (Marlon kept on inisisting bells and chimes throughout the song which is why the track has this sparkly quality all throughout.)
For the vocal recording, it was two-days me on standby at the recording booth of Letran Bataan as I await possible soloists.
I decided to stick with the usual vocalists we had for the past two Christmas songs but I remember asking Marlon to get me some new talents. I also remember approaching Limuel (of Limuel and Frienda band) in the hallway to invite him to be part of the song.
I didn't excuse students from their classes so I just had to wait for their free time so then they could put down their vocals. This extended the recording period, I guess.
I think it was 20 minutes per vocalist and it was just one line or so that we would be recording.
As a producer, it was important that I heard what was their best vocal take. Repeat repeat repeat until the singer was in his or her element for that line. So that took about two days.
(There were some more extra days because Jeanne Gabaya was not in school so I think I recorded her vocals separately.)
This picture shows the high school students doing the chorus part.
Eventually, after mixing the tracks for several days, the song's final mix came about and it was time to sit down with the team to do the storyboard for the video.
(To be continued...)