Last May 9, I successfully submitted my two entries for the PhilPop songwriting competition I've been blabbing about. These songs that I've submitted are entirely new songs, never heard by the public or uploaded in the internet.
SAME WAY
This is a mid-tempo ballad which could have easily fit in today's pop music stations. At least that's how I deluded it sounded like.
Performed by Suzette Soyangco, a young vocalist who I've came across with in local music competitions I've attended as judge, and some events I've hosted in. Suzette has also entered some competitions on TV as a kid, and after hearing some YouTube covers of hers, I immediately wanted to work with her.
The lyrics of the song had been lying around my keyboard stand for several days. That's where I leave unfinished compositions which I know I have to finish sooner or later. I know I didn't intentionally branded the song as competition material, but once I've put in the melody days after the lyrics were rewritten and completed, I knew the song had potential.
I played the song to a friend of mine with my guitar and he said, "Is that an original song?" That signalled that the song was beyond me, and that song had to be my entry.
I produced the instrumental track of the song for two days, giving it a modern pop feel, slightly reminiscent of my original sound in "Gabi Na" (my 2008 album) but mixed with elements that are accessible.
Suzette did wonders with "Same Way". Her vocals provided soul that the song badly needed, as well as a touch of teenage hopefulness. I saw her jumping up and down and shrieking with delight as we listened to the final mix of the song after recording for two hours.
I loved how the song turned out. If this song does not win, I am and will always be proud that the song is part of my catalog as a songwriter.
SIMULAN NA 'TO
This song was written for 20 minutes without any guitar or keyboard accompaniment- a first feat for me as a writer. With just a hook I suddenly sang out of nowhere, the lyrics poured across my notebook and the melodies for the rest of the song was born.
If "Same Way" is a modern-sounding track, this one could be classified as adult contemporary. It's very easy to listen to with it's percussion and acoustic guitar accompaniment. My friend Conrad sat for one session to add guitar licks and (wait for it...)a distortion guitar lead. This was also the first track that I produced that is built around an acoustic guitar. No synthesizers and any other distracting sounds.
A vocalist named Leo, whom I've seen perform in the Bataan Pop Idol finals night last February, sang the song. I knew his voice would be right it. Although it could have been easily performed by any vocalist, as this track is very simple, the idea of working with Leo is something that I had been toying with. Recording this track gave me a chance to do that.
Mervin Dungao, a singer who introduced me to Leo, did the backing vocals together with me. The song ended up sounding like a 90's guitar ballad, such as "More Than Words" or an outtake from Noel Cabangon's acoustic album, "Byahe".
This song holds a special place in my heart as the lyrics are the very opposite of my cynical stance in romance and relationships. Nonetheless, creating the song made me realize that subconsciously maybe I am still rooting for L.O.V.E.
***
And so far, that's the lowdown on my song entries. I am hoping, with the eagerness of a child and the confidence of an artist, that I make it to the finals.
If in case it doesn't, I know I won't be dismissing my songs as failures, but as creations yet to be discovered.
Oh crap, I just hope I win. Grrrrrrrrrrr